A deserving Winner of the Costa Biography award, this book is a
revelation. If you have never read a graphic novel or indeed a graphic memoir
as this is, then give this a try. Intertwining her own childhood and the
relationship between her and her father; Joycean scholar James S. Atherton with
the relationship between Joyce and his daughter Lucia, this is a wonderful
portrait of difficult relationships and growing up female in the twentieth century.
Bryan Talbot is well established as a comic book writer and artist but it is
Mary M Talbot’s first foray into the area, she is most famous for her books on
language and gender, having taught at a number of universities, she is now a
freelance writer. The book is sometimes sad but it is also funny and fiercely
intelligent. The pairing of the writing and illustration is often painfully
poignant particularly as it touches on Lucia’s declining mental health mirrored
in James Atherton's own decline. There is a love of language and reading
emphasised from the beginning, opening as it does with the lines from
Finnegan’s Wake "my cold mad feary father".
There are many parallels between Mary and Lucia; they both have
parents called Nora and Jim, they both have a hard time asserting themselves
against their domineering parents, they are both fiercely ambitious. However
Lucia found her ambitions thwarted by her parents repeated dismissal of her
dancing and insistence on moving to London 
Growing up through the sixties and seventies Mary has an entirely
different career pursuing her academic dream despite; not instead of marriage
and motherhood. 
I would recommend this book to anyone with an interest in 20th
Century history especially the changing lives of women and to anyone who has
ever been a daughter.
Published 2012 Jonathan 
 Cape 

Sounds an interesting read :) I'm also writing a book at the moment!
ReplyDeleteTanesha x
www.tanesha-marie.blogspot.co.uk
Thank you so much for getting in touch Dotter is a fantastic book. I going to check out your blog. Good luck with the writing.
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