Tuesday, July 26, 2016

Wild Wood by Posie Graeme-Evans

Another Australia author. One I have a bit of a soft spot for because she is such a beautiful writer and she writes my favourite kind of book; time-slip. Just like The Island House Wild Wood features an Aussie heroine exploring her British heritage. This book however is set not on a Scottish island but on the Scottish border. The modern story actually takes place in the early 1980s with Jesse Marley having just discovered that she is adopted she sets out to learn more about her birth family. Arriving in London she has an accident and finds herself in hospital unable to speak. She is treated by a neurologist Rory who encourages Jesse to draw and she begins to draw faces of people she has never met and a castle she has never seen. However the castle is quite real in fact Rory knows it very well because he grew up there. Rory takes her to see the castle and to try and understand what is happening to Jesse and what her connection to Hundredfields really is. Weaving between Jesse's chapters we get the tale of Hundredfields itself and the intriguing mystery that has been handed down through the generations. This is an intriguing tale of history, mystery, family and secrets that fans of Susanna Kearsley, Diana Gabaldon and Rosemary Goring will adore. 

Saturday, July 23, 2016

Vigil by Angela Slatter Blog Tour

I am so excited to be part of this blog tour for Vigil which is the first (solo) novel from Australian fantasy author. Angela has written a number of award winning short story collections and co-written two novels Midnight and Moonshine and The Female Factory with Lisa L. Hannett. If you are a fan of Jim Butcher, Patricia Briggs or Ben Aaronovitch then get ready for your next favourite read. You van connect with Angela on the internet @AngelaSlatter or through her excellent website http://www.angelaslatter.com/
Vigil is the story of Verity Fassbinder a Brisbane native caught between two cultures. Verity is the result of a marriage between a Weyrd and a Normal, her parents died when she was still a child. Her father was a notorious Weyrd criminal who broke the laws that preserve the fragile peace between our world and theirs. Now she utilises her own magic for good. Verity has super strength; handy when your job involves exploring spooky old houses and chasing Weyrd with a fondness for the old ways and a taste for human flesh. Verity works for the Weyrd council investigating anything strange or anyone who doesn't keep the peace between the normal world and the Weyrd. She has to respond to calls for help from the cops and the council which doesn't leave much time for relationships but it's all about to get very complicated as not only is there a new guy on the scene but kids are disappearing across the city and someone is killing Sirens, so Verity has a busy time ahead.
I loved this book. Verity is brilliant she's kind hearted but tough and she'll break the rules to do what's right. She's proud of her heritage while also feeling her father's legacy as a burden to be carried. The Weyrd characters are beautifully realised Angela Slatter has worked hard to establish a unique mythology which feels very Australian while also being tied to the old countries that many of the Weyrd come from and to the old mythologies. At the same time though Verity feels so thoroughly normal she looks out for her neighbour, she feels goofy around a potential date and she is well aware of the weirdness she carries around with her. It's a page turning read, highly recommended.

Vigil is available now from Jo Fletcher Books.

There's an extract below to give a flavour of the book and an insight into Verity and her methods. This quote in particular I can identify with:

"That’s where the bookshops came in: I didn’t feel as if I was playing dress-up or wearing a suit of
armour there. Around the books, I didn’t have to be anyone but me."

Vigil by Angela Slatter extract

I owned a lot of books, a collection built up over the years. Of course, heaps of information was
online but it wasn’t the real stuff; besides, I didn’t trust the Internet. It might give useful hints about
where to go when I was researching something, but those were simply leads, and whilst some
turned out to be useful, many were completely unreliable. The World Wide Web was just anarchy in
a virtual container – there was no knowledge there, only data in ephemeral and frequently unsound
form. But a book, a nice solid book, a thing you could touch and hold and, more importantly, own −
that was solid. That was tangible.
Books had shown me that although I was different, I wasn’t alone.
My father’s library disappeared after his arrest and was probably still mouldering in an evidence
locker somewhere. My grandparents had cleaned out Grigor’s house, my old home, and disposed of
anything that wasn’t suitable to be left next to Women’s Weekly, which covered pretty much
everything. They turned out to be very particular about reading material where I was concerned, at
such pains to give me a Normal childhood, but I started spending my pocket money on questionable
investments such as compendiums of tales about the occult and ghosts, myths and legends . . . weird
stuff that would later become Weyrd. I hid my illicit purchases under my bed, behind the old
suitcase stuffed with the toys I’d outgrown but couldn’t bear to throw away.
My adolescent rebellion might have been nerdier than most, but I found myself hanging out in the
sort of bookstores that didn’t look like proper shops, the ones hidden down dark alleys, with doors
with peeling paint and strangely sturdy locks, or behind hidden trapdoors in the storerooms of shiny
new book chain-stores, under which would be the rest of the inventory: books as old as breathing,
covered in everything from tightly woven hair to human skin, from shaved bone shards to glass,
from beaten bronze to blood-dyed silks.
I wasn’t like other kids. I knew things they didn’t; I’d seen things they never would – and I was
strong, so strong. Grandma warned me over and over: No pushing, no shoving, no fighting, no
matter what – you don’t know your own strength, Verity. I really did, though, and I was careful not
to use it against anyone – or at least, not until I was older and started recognising and encountering
the Weyrd again.
That’s where the bookshops came in: I didn’t feel as if I was playing dress-up or wearing a suit of
armour there. Around the books, I didn’t have to be anyone but me. That was where Bela first found
me − or maybe ‘made contact’. He knew who I was. Now I realise of course the Council would keep
an eye on Grigor’s daughter, but when I was fifteen I was flattered and naturally, I developed a fierce
schoolgirl crush. He wasn’t interested then (not until I was well into my twenties), but in those early
years he showed me my heritage, pointed me towards tomes filled with disguised versions of the
truth of where we came from, and others not so disguised. He taught me not to be afraid of what I
It’s no wonder I loved him for so long.
He’d also been a great giver of books while we were together – a great forgetter of anniversaries
and birthdays, too, but random books-for- no-reason helped to smooth that over. But I’d grown my
library mostly on my own, though I only ever bought those volumes I could afford to pay for. Some
could be had for a lot of cold hard cash, others for a lock of hair, a tiny square of skin, a vial of blood
or a whisper of breath, but Bela had taught me that it was unwise to give up any part of yourself,
even for knowledge. You never knew what someone would do with something so personal.
The bestiary on my lap was written in bad Latin, which had made it a little cheaper, but it’d
still cost me the better part of a month’s salary. My Latin was even more atrocious (needless to say
my language studies grades had not been stellar), but it had good pictures, which I could ‘read’, and
armed with a dictionary and a basic primer, I managed. Shame about all that effort. The entry on
sirens told me nothing I didn’t already know.
The winged women with the legs of birds had not been sea-going to begin with. One
particular branch of the family had started that tradition, and had also started mating with men.
Their appetite for flesh had also increased, and over the years they’d evolved, losing their aerial
abilities and morphing into water creatures. The other branch, the older one, stayed aloft and kept
their wings − they didn’t hold with all that reclining on rocks and serenading their dinner, although
they still liked the seduction, the chase. Some liked the murderous habits so much they couldn’t or
wouldn’t give them up; some just liked to tease and flirt, to break a heart or twelve.
I closed the book and contemplated what could kill a siren. Bullets, arrows, decapitation,
they’d all do it. Poison wouldn’t work – maybe because their own blood was already so toxic. It’s
difficult to catch something that can fly away unless you’re a dab hand with nets. They had fangs and
claws, so they could defend themselves pretty effectively. And then there was that whole hypnotic
effect: some idiots, men and women both, were dumb enough to fall victim to their lures, rather like
a bird being mesmerised by a snake. On the whole, siren bodies were as frail as humans’, but unless
violence was visited upon them, they simply outlived us. Hell, they’d outlived whole civilisations.
And there had been no marks on the dead siren, whoever she was, apart from the standard fell-
from-a- great-height- and-went- splat kind.
The autopsy might show something, but I wasn’t going to bet on it. Whoever – or whatever
– had murdered the siren had probably been smart enough to clean up after themselves. So if there
was anything there to be found, I’d have to wait for McIntyre to call once the chopping-up- and-
cataloguing part was done. Oddly, I’m squeamish about that kind of thing.
The city’s sirens had a regular meeting place: they got together once a month, at the full moon, and
fortuitously, we were due a full moon that very Sunday. Sometimes they sang, not the nasty, lure-
you-to- your-death sort of singing, which is never conducive to maintaining a low profile, but a nice
ladies’ choir thing. They gathered together for the same reasons humans do: for companionship, to
be surrounded by their own so they didn’t feel so alone. Of course, there are edgy loners in every
species, and I really hoped that whoever the victim was, she hadn’t been one of those, not only
because that would it make my task more difficult, but it would mean she wasn’t mourned or
missed, and that always made me sad.
Mindful of Ziggi’s etiquette tip to ensure my continued good health – it was fairly basic: don’t be
rude, because sirens have a very strict view of what constitutes good manners – I tucked the bestiary
into my bag, rose and walked along the cliff path towards the park with its herd of BBQ pergolas
sitting in pools of artificial light. Maybe on a non-siren night David and I would go there, bring some
Thai food, talk into the wee hours.
The full moon turned the landscape silvery-ash. Everything – buildings, cars, city lights, trees,
people, the river below – was washed of colour, rendered ghostly and limned with a strange sort of
shine in the winter air. Soon enough I stopped noticing that because I heard the melody, seeping in
through my pores and making my belly tingle.
As I got closer the singing got clearer, splitting into lyrics, a version of Greek before time and
history were recorded. I caught the words for moonlight and grace and mother, which was as far as
my dodgy translation skills allowed. I figured it for a hymn, the open sky their church. The power was
pitched low, so as not to entrance anyone, but I could see figures gathered on balconies in the
apartment complexes across the road, and evening picnickers scattered along the cliffs listening,
quite still, food momentarily forgotten.
The women were clustered on one of the grey- and white-tiled lookouts, the one closest to
the tiny garden of St Mary’s Church, at the farthest end of the park. A glass and steel wall kept land
and empty air apart. About thirty of them stood in a loose arrow formation, hands by their sides,
faces lifted to the moon, mouths moving in unison. They were all dressed differently – anything else
would have screamed ‘cult’ – but without exception each was beautiful. Just behind every one I
could see a sort of shimmer effect: the hidden wings.
As I neared, I focused on the woman at the tip of the arrow. She was older than her
companions, although still enduringly lovely, ageing gracefully with high cheekbones and a firm jaw.
Others looked like extremely well preserved forties, a few in their thirties, but the majority of them
appeared to be young, late teens, early twenties. Many of these creatures were ancient enough to
have seen the Fall of Troy, but this was a relatively new nest, just over a hundred years old, in a small
community, owing to a general exodus when the proscription against human hors d’oeuvres came
into effect.
I stopped a respectful distance from them and waited for the song to finish. Slowly the notes
dropped away like leaves fallen from a height, and as the music died, so the colour was restored to
the cityscape. Then thirty heads turned to pin me with luminous stares until one broke from the
group, a glaring adolescent, and approached me.
‘You’re not welcome. This time is private.’

There's one more stop on the blog tour tomorrow over at Natural Bri, check it out. 

Friday, July 22, 2016

Maresi The Red Abbey Chronicles by Maria Turtschanioff

Maresi was translated from the Finnish and it demonstrates exactly why more Young Adult fiction should be available in translation. Maresi is a fantasy story set on an island populated entirely by women. Maresi travelled to the Red Abbey driven by desperation, hunger and fear. She had almost believed this sanctuary to be a myth, a place where women can escape, can be safe. Outside of the Red Abbey women are forbidden from learning, they must live by strict rules and they are never safe from the prospect of rape, death or slavery. Many of the girls who have come to the Red Abbey have escaped brutality. It is a place where community is celebrated. The women work together, grow their own food, make their own clothes and they have books which Maresi is encouraged to explore. When Jai arrives Maresi finds a friend but a chain of events is set in motion which brings danger ever closer to the Red Abbey. This a powerful and atmospheric tale. It has a strong feminist message and is also a thrilling and fast paced fantasy adventure. It has the quality of a fairytale which is partly the magic of the author's voice and partly down to the setting. I really hope to read more by this author and the quality of the storytelling makes me excited to discover more literature for young adults outside of Britain, Ireland the US. This book is perfect for fans of Leigh Bardugo and Frances Hardinge.

Thanks to Sam at Bounce Marketing for a copy of this book. Maresi The Red abbey Chronicles is published by Pushkin Children's Books.

From the publisher's website
Maresi came to the Red Abbey when she was thirteen, in the Hunger Winter. Before then, she had only heard rumours of its existence in secret folk tales. In a world where girls aren't allowed to learn or do as they please, an island inhabited solely by women sounded like a fantasy. But now Maresi is here, and she knows it is real. She is safe.
Then one day Jai tangled fair hair, clothes stiff with dirt, scars on her back arrives on a ship. She has fled to the island to escape terrible danger and unimaginable cruelty. And the men who hurt her will stop at nothing to find her.
Now the women and girls of the Red Abbey must use all their powers and ancient knowledge to combat the forces that wish to destroy them. And Maresi, haunted by her own nightmares, must confront her very deepest, darkest fears.
A story of friendship and survival, magic and wonder, beauty and terror, Maresi will grip you and hold you spellbound.
'Dark, powerful and original... really stands out in a very crowded YA marketplace... Thrilling, suspenseful and gloriously feminist' The Bookseller
'Where YA fantasy can start to feel a little same-y, Maresi dark,occasionally harrowing, yet always readable stands out for its startling originality, and for the frightening plausibility of the dangerous world it creates. Maria Turtschaninoff s deceptively simple, occasionally almost fairy tale-like prose is also a joy: the voice of Maresi (our first person narrator) always feels distinct and believable' Rebecca Hawkes, Telegraph
'A book full of courage. Dark, brave and so gripping you ll read it in one sitting with that instinctive hunch hovering over your shoulder warning you that something terrible is about happen if you turn the page. And then you turn the page...' Laura Dockrill , author
'A tale of sisterhood, survival and fighting against the odds that will capture the hearts of both teen and adult feminists alike and will leave you feeling extremely empowered.
I think it s a very special book and one that deserves lots and lots of attention' Lucy Powrie, book blogger
'A poignant, slow-burning fantasy' Taran Matharu, author
'A compelling read... Turtschaninoff weaves in fantasy with feminism, creating a spellbinding read that is completely unputdownable' Guardian Children s Books
'A great read. I've been trying to put into words how it made me feel, but Maresi's voice is so different to anything else, it s taken me a little while to process.
'Such a beautiful, haunting tale. Maresi s voice is unlike any other YA voice I ve read; her voice is strong but she shows us so many different emotions. Her relationship with Jai and the other girls felt very real, dealing with all of Jai s problems how a friend would. They were there for each other and it was great to see that. The writing is amazing; it has an almost mythical feel to it. The way it flows made it such an easy and quick read. Obviously there are darker elements to the book but that only adds to the story and the world that has been created. It s good to see these issues being used in books and drawing them to the attention of our next generation' Fiona Hadfield , children s bookseller
'Atmospheric, immersive and definitely original, Maresi has a quiet, urgent magic that makes her story powerful, poignant and memorable' Jane Bradley, Founder & Director of For Books' Sake
'A web of strength, friendship and belief. A beautifully painted, fantastical setting like no other; this story will resonate with me for a long time' Ben Alderson, Benjamin of Tomes
'A few times in a life time, a book comes along that wraps you completely in its world and its characters. Wildly imaginative, vivid and filled with wonders' Casey Daveron, Casey Ann Books
Maria Turtschaninoff was born in 1977 and has been writing fairy tales since she was five. She is the author of many books about magical worlds. She has been awarded, the Swedish YLE Literature Prize and has twice won the Society of Swedish Literature Prize. She has also been nominated for the Astrid Lindgren Memorial Award. Maresi is the first book in the three-partRed Abbey Chronicles, all of which will be published by Pushkin Press. Maresi is being published in 8 languages and won the Finlandia Junior Prize.

Thursday, July 21, 2016

The Redemption of Alexander Seaton by Shona Maclean

The Redemption of Alexander Seaton is the first in a four part series by Scottish writer Shona /S.G. Maclean. Set in Banff in Scotland in 1626. Alexander is a failed minister now a schoolteacher of morose character. His two truest friends are the doctor and the music master.When a man is found dead in suspicious circumstances, murder is suspected and Alexander's friend the music teacher a rival in love to the murdered man is arrested. Tasked with helping the investigation Alexander is determined to prove his friend innocent.
This is a wonderfully written tale from a master storyteller. The setting and characters are so vivid and intense I felt utterly immersed and sad to leave them all behind. This is a series I will certainly continue and cherish.
If you like S J Deas, Robin Blake or Antonia Hodgson this book is for you.

Here is an interview the author did with Shots e-zine which will give you some insight into her research and an explanation for the mid series name change.


Wednesday, July 13, 2016

Lawless and The Flowers of Sin Blog Tour

I am delighted to be hosting today's spot on William Sutton's Seven Sins blog tour. Lawless and the Flowers of Sin is the second book in the compelling Campbell Lawless Victorian Mystery series

From the press release

It is 1863, and as a reluctant Inspector of Vice, Campbell Lawless undertakes a reckoning of London’s houses of ill repute, a shadowy netherworld of frayed glamour and double standards; mesmerising and
unspeakable by turns. From the erotic booksellers of Holywell Street to the alleys of Haymarket, he discovers backstreet cast-offs and casualties of the society bordellos, and becomes fascinated by a
musician who has established a foundation for fallen women. But his inquiries draw the attention of powerful men, who can be merciless in defending their reputations. Lawless must unlock the heart of a clandestine network, before he too is silenced...
William Sutton comes from Dunblane, Scotland. He has written for The Times and the Fortean
Times, acted in the longest play in the world, and played cricket for Brazil. He writes for international magazines about language, music and futurology. His plays have been produced on radio and in
London fringe theatres. He has performed at events from the Edinburgh Festival to High Down Prison, often wielding a ukulele.

Today's sin that William has blogged about is Wrath; here's what he had to say.

Wrath Seven Sinful Blogs Hello, hello, I’m William Sutton, author of Lawless and the Flowers of Sin, due out in July with Titan Books. To celebrate, I’m delivering a series of Sinful Blogs.

Righteous Wrath: Dickensian London is still with us

Anger may be a sin. But aren’t there times it is right to be angry?
In my first book, Lawless and the Devil of Euston Square, I wrote about the poverty in London’s East End. “Rookeries”, the tiny streets piled with indigent workers, struggling in the cut-throat capital. Wealth rides roughshod over poverty. Ten thousand are made homeless to build the first underground train, in the name of progress, not profit (though they are not rehoused). The media whip up frenzies about crime, immigration, eco-disaster. To speak against the status quo is to be branded a danger to the nation.
1859. How unimaginably different from today...
Researching my second book, about a different kind of underworld, I expected to find that the Victorians were much worse than we are today. In terms of equality, in terms of prostitution, in terms of exploitation.
But strange things have happened while I’ve been writing it. As I was writing about press intrusion and manipulation of the news, up came the Leveson Enquiry, which shows that today’s papers are just as guilty of whipping up purposeful frenzy, careless of the individuals caught up in it.
As I was writing about police collusion with politicians and celebrities to cover up shameful proclivities, sinful habits, lies, coercions and abuses, out came the tales of Jimmy Savile. The Catholic Church. Babies buried at convents. Youths bought, sold and discarded.
A Tory whip, Tim Fortescue, boasted in the 1990s that, during Edward Heath’s time as PM, he could cover up “scandal involving small boys, or any kind of scandal which a member might be mixed up in. And if we could we did. ... If we could get a chap out of trouble, he’ll do as we ask forever more.” Fortescue, now dead, says this with no compunction. To him it is quite clear: the people do not need to know what goes on behind closed doors, whatever it may be, whoever may have been hurt.
That kind of attitude, we like to believe, is in the past. But the more that has come out about other predators in Operation Yew Tree, the more that seems doubtful.
Even in the Stanford rape case, we heard the accused’s father plea that, in a life of twenty years, it was just twenty minutes of wrongdoing. As if to say, the victim’s suffering is nothing; what matters is that important people don’t have their lives sullied by the odd error of judgement.
This is exactly the sort of thinking I found throughout the Victorian era, for example, in the mysterious Walter’s memoir, erotic epic My Secret Life. Walter forces himself on maids, cooks, cousins, prostitutes crossing the street, courtesans in fine lodgings, ladies in foreign hotels. His attitude is clear, that if they give in in the end, it doesn’t matter. He doesn’t claim that he is without fault. He just doesn’t care. And in Victorian times, once a woman is “ruined”, as we know, it’s a hard road back to decency. Though both
Walter and the social journalist Henry Mayhew write of women who pass through the netherworld of prostitution and emerge back to decency, running cafes, or as wives to lords and dukes.
The mysteries behind our doors fascinate us, as they did Wilkie Collins. The picturesque poverty of bygone days fills our TVs with period drama: Ripper Street, Jekyll & Hyde, An Inspector Calls. We pat ourselves on the back, lamenting past inequality, but confident we have risen beyond it.
We haven’t. “Give us back our country,” say some politicians. No need: Dickensian London is still with us.
Speaking of wrath, in such an unequal world, perhaps it isn’t surprising that disaffected youths turn to extremism, in their search for something to care about.

Thanks a million to William and to Titan Books. follow the rest of the blog tour this week, details below.